Wednesday, May 13, 2009

Live Review: Cursive, Man Man @ Variety Playhouse, 5/1/09

For Atlanta Music Guide:

Live Review: Cursive, Man Man @ Variety Playhouse 5/1/09

Three white animatronic cats perched atop a speaker preceded the five men of Man Man onto the Variety Playhouse stage after they finished their plain-clothes sound check and ventured off to get into costume. The cats would stay still barely long enough so that you’d think they were lifeless, then move just slightly and blink, reflecting the black light and making you jump out of your skin in a mixture of surprise and almost unbearable anticipation. When Man Man re-emerged in their all-white to match, the creepy kitties nodded in approval and the full, albeit young, Variety echoed enthusiastically...[Read more]



Also for Atlanta Music Guide:


Q&A with José Reyes, co-founder of Fringe

Four times a season, several seemingly disparate creative ideas come together harmoniously in one venue: classical chamber music, electronica DJ-ing, visual art, short film, performance art and essay. It’s an idea new to Atlanta, and it’s one of the most interesting evenings $15 can buy. Co-founded and run by Fia and Dana Durrett and José and Nikolle Reyes, Fringe has enjoyed almost two complete seasons of events and a heap of critical acclaim to go along with them. We talked to José Reyes about the inception of the arts series and what enthralled attendees can expect when they experience the fourth and final performance of Fringe’s second season this Saturday, May 9. For more information, visit FringeAtlanta.org, and to buy tickets click here.

Q: How did you guys come up with this idea? What made you want to do it in the first place?
A: Well, we met some friends — Fia and Dana Durrett — and they were telling us about their love of chamber music. We didn’t really know anything about chamber music, so we got to start learning more about it. As we learned more about it and traveled and listened to it in other places, we just realized that there’s something really awesome about hearing it in a small venue, but we were missing a whole younger group of people — essentially the iPod generation, which is basically anyone who is interested in technology and new stuff, or even older stuff, but in a way that would be more meaningful to them. We thought, “They [Fia and Dana] love chamber music. We don’t know anything about chamber music, but we do know about art and what we might do for a show and what that might look like.” It took about a year for all that to germinate into actually having a concert...[Read more]

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